As much as I don’t want one of my very first posts on this blog to be an anime review, I never really get a chance to watch much these days. Luckily, there are only six episodes in this series, so this should be really short. As usual, I’ll try to avoid flat-out spoilers unless they’re too strange to ignore.
Short anime OVAs – those much less than 24-26 episodes – tend to be perilous territory to venture into. Usually you can count on anything longer to be at least passable, but when you get less episodes to work with, the potential level of suck tends to concentrate within the series instead of decrease proportionately to its length. While there are plenty of enjoyable short-term animes floating around (FLCL, Baccano, Spice and Wolf*), you still run the risk of completely wasting your time (Saikano, 009-1, god-awful Stratos 4).
So when I came across Iriya no Sora, UFO no Natsu and saw that it was only six episodes, I was initially skeptical. However, it was early in the morning, and since I was too tired to do anything productive but not tired enough to sleep, I decided to put aside two-and-a-half hours to watch it.

Cover of the light novel version depicting Iriya Kana.
And you know, it actually wasn’t too bad.
First off, if you’re looking for action scenes involving fights against aliens, look elsewhere – there’s a noticeable focus on building up a believable relationship between the main protagonists due to the time allotted. The series revolves around male high school student Asaba Naoyuki and Iriya Kana, the physically and emotionally-strained female pilot of the Black Manta, an advanced air fighter created to fend off aliens and the occasional human attack in a war that has been ongoing since June 24, 1947 and the Kenneth Arnold incident. They are surrounded by a decent cast of supporting characters, such as conspiracy-seeking school newspaper chairman Kunihiro Suizenji, Kana’s primary guardian Enomoto, Kana’s love-rival Sudou Akiho, and Naoyuki’s sister Yuuko.
The first three-and-a-half episodes of the series are what one could normally expect from a series like this: boy-rescues-shy-girl-pilot-from-drowning-and-teaches-her-how-to-swim introduction, moments of military-related tension, a love triangle, a romance gradually overcoming its limitations, and well-executed light humor in the form of conflicted sisterly concern, drunken sexual pity from childhood friends, and eating contests. (Don’t worry, it’s not one of those fanservice productions.)
Things start getting weird towards the last third of the series, however. After Kana’s condition gets considerably worse, Naoyuki decides to run away with her. Unfortunately, the stress of being pursued and Kana almost having to knife a guy to death takes its toll on her emotionally. Naoyuki, mad at his inability to do more for her, gets annoyed and goes off on her. Apparently this pushes Kana over the edge so much that she loses the ability to recognize him and then develops progressive retrograde amnesia. I kid you not.
They are eventually discovered by the military, and she is taken back to base while Naoyuki waits for three days as the final battle draws near. However, Kana quickly develops post-traumatic stress disorder before her scheduled sortie and starts pulling a Rambo on the naval carrier U.S.S. Ticonderoga. (Honest.) Naoyuki is flown in, they confess their love for each other, and Kana boards the Black Manta to defend Naoyuki from aliens. Despite her victory she dies, presumably from overtaxing her body. Before going back to school again, Naoyuki makes an Azumanga Daioh crop circle (seriously, it’s the hiragana for “yo”) and the series ends.
Now, despite it getting ridiculous at times, everything is executed fairly well. In fact, this is the sole reason the series doesn’t just become another crappy Saikano – it’s long enough to cover everything relevant but short enough to hold your attention. There’s only so much you can do with military romance tragedies before it becomes overly emo or just plain tired. However, this series does falter a bit with the handling of the very end: not only does Kana not survive (forgivable but upsetting), but it doesn’t even seem to considerably phase Naoyuki. If it was more vivid and overdramatic, I would swear it was a stereotypically bad GAINAX ending (example: Tengen Toppa Gurren Lagann, an otherwise good series). On the other end of the spectrum, the ending is also quite lulzy, and while I don’t want to spoil too much, let’s just say that part of Kana’s history involved becoming autistic before meeting Naoyuki. Watch the last episode if you don’t believe me, it’s probably still up on Veoh or torrent.
In the end, it falls into the niche anime category occupied by titles such as Golgo 13 and Grenadier. That’s not a bad thing, but it lacks general audience appeal. For those who can appreciate it for what it is, however, you’ll find a short and bittersweet tale of young romance.
Score: 77
-Positron
*Note: In Fall 2008, it was announced that Spice and Wolf was green-lit for a second season. As of this post, it has not yet been completed.